MF DOOM, Intricate And Enigmatic Rapper And Producer, Dead At 49

Born Jan. 9, 1971 in London and raised on Long Island, N.Y., Dumile first rapped under the alias Zev Love X with the group KMD in the late ’80s. The group released two albums: 1991’s Mr. Hood and Black Bastards, which was completed in 1993 but was not released until 2001. Hip-hop journalist Andrew Nosnitsky called the latter “a rare lost masterpiece. “

Inspired by the Marvel character Dr. Doom, he rechristened himself MF DOOM and released the self-produced Operation: Doomsday in 1999. He spit bars with playful and twisted intricacy, grounded by his own classic soul- and funk-sampling production.

In the 2000s, several more solo records (the instrumental Special Herbs series, 2004’s MM..FOOD and 2009’s Born Like This), collaborations (Madvillainy with MadlibThe Mouse and the Mask with Danger Mouse) and additional aliases (among them, Viktor Vaughn and King Geedorah) quickly followed, spun from a seemingly limitless creative mind. He also produced tracks for Ghostface Killah and MF Grimm

Like the comic-book characters he emulated, MF DOOM disguised his identity by performing behind a mask. 

MF DOOM, who always performed behind his signature mask, told NPR in in 2003, “The music first, then everything else.”
C Brandon/Redferns via Getty Images

“It’s really just another character,” he told writer David Ma around the release of 2009’s Born Like This. “Zev Love X was a character too, most people think that’s me but he wasn’t. They’ve all been characters. The DOOM thing is to be able to come at things with a different point of view. I decided the mask would just add to the mystique of the character as well as make DOOM stand out. I though it’d be an easy way for people to see and differentiate between characters, sorta like when an actor gains weight for a role. Throwing on the mask was just a good way to switch it up.” 

But mostly, as he told Day to Day in 2003, “The music first, then everything else. You won’t see me on the cover of an album with tattoos or a big gold chain; none of that.”

MF DOOM returned to London in 2010, explaining to The Guardian, “I spent 35 years growing up in the U.S., and it had its ups and downs, but this is a new place for me. I have no friends here apart from the dudes at my record label, and I didn’t go to school with no one. Nobody knows me – I’m incognito. It’s all new, all fun.”

His output continued, but at a slower pace. MF DOOM released Key to the Kuffs as JJ DOOM, with producer Jneiro Jarel providing a far more spacious palette for DOOM to stretch out. But in collaborations with Bishop Nehru, Czarface and Westside Gunn, you heard sparring partners in awe of the master, as old sparks found new sounds.

Upon the announcement of his death, tributes from peers and admirers poured in. Posting an image from 2004’s MadvillainyFlying Lotus wrote, “All u ever needed in hip hop was this record. Sorted. Done. Give it to the f****** aliens.” 

Kenny Beats, a producer indebted to MF DOOM’s idiosyncratic boom-bap style, tweeted: “I heard that some authors rewrote entire novels by the greats just to see how it felt. Denzel [Curry] and I made UNLOCKED talking about DOOM every single day just trying to channel an ounce of the feeling.” 

Tyler, The Creator, who flipped out like a fanboy the first time he met MF DOOM, kept it simple: “safe travels villain.”

source: npr.org by Lars Gotrich

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