Directors make so many filmmaking decisions that go unnoticed by casual viewers because we’re not paying close attention—but the use of color isn’t one of them. Color immediately stands out. Films can be hyper colorful and smack you with the entire color wheel, or they can be totally muted and monochromatic. You’re able to recognize the aesthetic and intention because you have eyeballs (and are presumably not colorblind) and can see what the director wants to show you, because it’s literally right in front of you.
YouTube, the second most popular website on the internet, has the ability to effect change and the adoption of new technologies in visual mediums like no other website. In the past it’s used that ability to good use. It was an early adopter of 4K content and continues to possess the largest repository of said content. The same is true of 360 video. Now YouTube is finally embracing HDR, which means newer videos are going to get a lot more realistic looking.
Jay Z just inked a major movie and TV deal with the Weinstein Company. Hov signed a two-year overall deal with the Weinstein Company Thursday that will give the studio first-look privileges on a variety of Jay projects, according to the Hollywood Reporter. Multiple projects are already in development and are expected to be announced shortly.
With Kodak and others trying to make film cool again, Leica has jumped into the fray with an instant camera, the Sofort. It uses Fuji’s Instax format, and Leica has even decided to release its own brand of film, available in black and white or color. The German company designed the body itself, though it’s very … un-Leica like. If anything, Fuji’s own retro-styled Instaxcamera has a more Leica-esque look.
Filmmakers have been stop-motion animation for eons, but holy crap man, people have gotten really, really good at it. This video by Vugar Efendi tracks the evolution of stop motion in film starting with The Enchanted Drawing in 1900, which was really just a drawing of a face changing facial expressions, all the way up to the gloriously beautiful Kubo and the Two Strings, which was released this summer.
Not all scary movies are actually all that scary so what is it about the best scary movies that make them so much more terrifying than the rest? It’s in the editing.
camera really does add 10 pounds. Here’s a good look at the effect that different lenses and barrel distortion can have when it comes to making you look fat on camera. The gif from Jim Zub starts by showing a person’s face with a 20mm lens and then goes all the way up to 200mm, you basically watch his face and hair expand right before your very eyes.