The Multiple Truths in the Works of the Enslaved Poet Phillis Wheatley

I do not remember how old I was when my grandmother showed me Phillis Wheatley’s poetry. Ten, maybe 11? Young enough that my hands were open to everything she put in them—a crochet needle and thick hot pink yarn, a sewing needle, a gingham apron. Young enough that I obeyed, old enough to roll my eyes in secret when I didn’t want to listen.

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