WHEN PROTESTS ERUPTED around the world after the death of George Floyd, who died in the custody of Minneapolis police, the threat of a global pandemic calmly took a backseat as a rush of justifiable rage against ongoing racial injustice flowed through all 50 American states and several countries around the world. As protesters took to the streets, it became imperative that black photographers, specifically, capture this moment. Continue reading 3 Black Photographers on Capturing the George Floyd Protests
IMAGES PLACE US in time, gluing unremarkable and historically urgent moments in a fixed setting or context, but mostly they thrill our senses in other varied ways. They challenge us with questions and ferry nostalgia. Images set our faces electric at the sight of something truly wonderful. The primary function of a photograph is not measurement, but there are those that suggest it all the same. Those images, thornier in intent and unwedded to a single place, become a kind of cloverleaf—of circumstances, of timelines and beliefs, of people.
Jeff Sessions gave a speech to sheriffs on Monday sprinkled with a bit of white supremacy. In Sessions’ attempt to commend sheriffs for doing what they do, he evoked his love of law enforcement’s “Anglo-American” heritage.