Disney is mining a different kind of nostalgia to fuel its shift toward streaming. The company has revealed plans for a Willow sequel series for Disney+ that should start production in 2021. While much of the plot is still a mystery, the show will take place “years” after the events of the movie and will mark the return of farmer-turned-hero Willow Ufgood. And yes, Warwick Davis will reprise his role.
Mike Henry is exiting his decades-long role as Cleveland Brown, a fan-favorite character on the hit animated series Family Guy. Continue reading ‘Family Guy’ Star Mike Henry Quits Cleveland Brown Role: ‘Persons of Color Should Play Characters of Color’
Netflix isn’t just expanding its footprint in California. The streaming behemoth is planning to open a production hub in New Mexico by acquiring Albuquerque’s ABQ Studios — its first purchase of a production studio complex. It’s making the deal (which is still in “final negotiations”) in part due to incentives, which include up to $10 million in Local Economic Development Act funding from the state as well as a maximum of $4.5 million from Albuquerque.
Disney’s will-they-won’t-they relationship with 20th Century Fox has been going on for a few weeks now. Disney has flirted with buying Fox a few times only to back out, but it looks like this time it might actually go through, and possibly by the beginning of next week. But if the deal really does go through, have you even thought about the repercussions? Well, for starters, Disney would literally have part ownership of Batman.
Single motherhood is hard enough, but raising a superhero? Leagues harder.
Facebook is very serious about its original programming ambitions — $3 million per episode serious. According to a Wall Street Journal report, the tech giant is courting Hollywood agencies for original scripted TV shows, in some cases offering up to $3 million per episode. It’s also keen on procuring less-expensive productions that would cost hundreds of thousands each episode to make. The Journal’s sources said that Facebook has set late summer as a tentative launch window, and that it hopes to reach audiences aged 13-34.